Drumming & Percussion
Drum and Rhythm Basics Course – Numbers, Skins, Hands & Sounds
I started this class in 2012 and it has been going strong ever since. It is for all the people who would like to participate in drum circles but don’t really know what to do. Even if you never do another drum class in your life after this you will have a foundation that you can build upon for the rest of your life!
In just three classes, we will build a foundation based on rhythmical exercises, sounds, hand/stick techniques, and a beginning bit of practice. You will learn the percussion basics, which can be applied to any type of drum, so you will be able to play along in a drum circle or jam out with your friends. Learn more about this class by clicking here.
Basic Pattern Practice Class
Prerequisites: Basic knowledge of and experience with drumming as presented in my Introduction to Drumming course.
In this course, we will practice and refine what you learned in Introduction to Drumming to further develop your percussion and drumming skills. Drumming takes practice. The good news is that even with this one hour a week you will quickly improve your skills and enjoy drumming more and more.
Besides working with drums, we will use stomping and clapping the beat while reciting different voices. This will make sure that we “grok” each rhythm on all levels: understand it, feel it and connect it to other rhythmical patterns. Then, rhythms will be applied to the drums and percussion instruments until each groove is fully present and felt by everybody.
“I really enjoyed the meetup and drumming with all of you! I hope to explore this further when my schedule allows. Daniel does a great job and his enthusiasm was contagious.” Sandra Merhar
“This is an awesome class, and I recommend it highly to anyone interested in exploring drumming. Daniel indeed has boundless enthusiasm and passion for drumming, and warmly welcomes new students to share in this joy. He paces the lessons beautifully for a newbie… starting off simply and building up bits of complexity as soon as the group is ready to level up He also understands the mysterious power of music, and shares insights along the way. By the end of the evening, our group was making music together ~ simple yes, but intoxicating. To have come so far so fast, and to discover another path to creating joy in my life… just so exciting. I’m hoping to start Daniel’s next beginner-level class, and to bring my sons. I know it will be amazing.” Bonnie C.
“Superb. I look forward to next week.” Anthony Floyd
“Much fun! I enjoyed meeting everyone! Richard
“I really enjoyed, and I will go back. Fabulous! Katia Rossomme
“Great energy, attitude, and atmosphere – enthusiasm unbounded.” Joan Baron
Polyrhythmic Practice Class
This class is for those who have established a foundation in drumming that allows them to hold a pattern while others play a different pattern. This is where the advanced type of drumming starts and this is a class for students that want to build their skills, develop the ability to listen to others while holding a pattern and Start having the experience of really playing in an ensemble.
We will intensely study each voice in its relationship to the beat and to the other voices. We’re not only going to learn various pieces of percussion music but deeply establish the mind-body experience of each pattern. This allows us to use these patterns for any instrument and in any drumming experience.
We will use systems from various traditions: West African (Djembe, Dun-Dun, Bells), Afro-Cuban (Conga, Bongos, Clave…), Indian (Voice percussion, Konnakol) and other instruments from around the world.
We also develop music on the spot through group improvisation.
- Compositions and traditional rhythms: play and keep a set rhythm/voice while others play interlocking rhythms/voices. Learn not just how to keep your voice but to be able to listen to the other voices while playing yours. This way improving the sound/production of your voice for an overall better sound, energy and emotion.
- Improvisation of interlocking voices: come up with patterns on the spot has very distinct challenges: how to not play too much, how to not just replicate somebody else’s voice, how to create a counterpoint to somebody else’s voice, dynamics of volume and tones.
- Playing solo: For those who are interested and ready, there will be plenty of time to explore solo improvisation and learn various ways of approaching it.
We will look at those areas of development and consciously carve a step-for-step skill set that makes you a better drummer and somebody who knows well how to connect with other players even when you never played before.
For serious students, there will be opportunities to perform what we learned in gigs that we will either produce or participate in. I have various connections that will allow us to play for schools, festivals and informal gatherings.
Tabla Classes Phoenix
Tabla Classes Phoenix: Learn to play the Tabla in Phoeniz, AZ – based on north Indian classic I will also teach you how to play lighter rhythms for Kirtan, Bajans or for accompanying of any other instrument or voice.
Daniel studied North Indian Tabla since 1981
His most important teachers: Sunit Kanjilal, Debu Chakraborty, Jatinder Thakur, Anindo Chatterjee
His main teacher is now Abhijit Banerjee, www.abhijitbanerjee.com
He has performed with various artists both in Europe and the US, playing north Indian classical, Bhajan and Kirtan devotional and light classical singing. He has also participated in various world music and jazz projects. Daniel moved from Vienna, Austria to Arizona in 1992 and is teaching Tabla for the last 15 years +. As of spring of 2019, he has about 15 weekly students.
In 2010 Abhijit made Daniel an official teacher of the Dhwani Academy for Percussion music.
No matter what your goals are, I will help you or your child to develop clarity of sound, a solid sense of time, and a good understanding of rhythmic cycles. We also will spend time on how to practice to help you develop your skills quickly while enjoying it.